Sunday, June 12, 2016
"San Francisco" by Hilary J. England, oil on canvas, 16" X 20" X 2", 2016
This is painting no. 7 in my "Travelogue" series. Each of the items has a particular reason behind it was used for the painting. I start with choosing these items, and then finding a way to arrange them so that there is rhythm, harmony, movement, and some visual paths to draw the eye around the picture plane, and keep an interesting liveliness to the painting.
I set the items up on the floor (yes, the floor) and I have an elevated cushioned seat that allows me to look down on the arrangement while painting.
I always start by blocking in the the largest elements so that I don't lose the original design idea, and then I build the painting through a series of glazes and scumbling. This takes time to allow the paint to dry and not muddy any of the colors by trying to rush the process. I don't work in any sort of impasto until I am near the end of the process, and then, it is only accents to bring some of the elements forward in the picture plane.
I usually stop when the painting looks a little "raw," as I don't like anything overdone, especially not a painting. Two things are awful when they are overdone: paintings, and steaks. Just can't abide by overcooked and over processed.
So, that's the long and short of it, the very condensed process of how I paint a still life painting :-).
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