Monday, June 10, 2019
“Study of figure in the lily pond” by Hilary J. England, 16” x20” oil on canvas
My figure studies against or among different textures continues. This painting is rather larger than one of my usual “studies” — kind of a work in its own right, even if the intention wasn’t to make it a finished work, it sort of just happened. There were smaller grayscale studies, and my focus on this was the water, although in terms of design, the figure is still dominant, as the water leads you to her. She is center stage— literally, so she is the focal point, but for this Artwork it does work for me, even if she dominates the textures surrounding her.
The water, as it was choppy, was impossible not to stylize— but, that’s all par for course, since our own personal styles as artists always (and SHOULD) be visible in our works. We don’t create to make a voiceless photocopy, we create so that our voice and vision is also harmonious in our picture plane. I think this work balances that!
Friday, June 7, 2019
All sketches by Hilary J. England
Conte on Bristol paper
Today’s Figure work
I did more live figure work today, as I used to draw the figure a few times a week, and then I just got lazy. Figure drawing is so necessary for a realist artist— I like it to going to the gym— if you don’t go regularly, you get atrophied and flabby. Same with drawing the figure— you reflexes and mind gets flabby if you don’t continually practice it.
I made a goal to go at least once per week— I would do more over the summer, but I am in the capstone of my Masters program, and the workload is high, so maybe after the end of July I can ramp it up even further.
We started off with some 2 minute poses, the went to five, up to 10, 15, 20, and then 40 (which I missed). Next week will be all of the above and an hour long pose so I’m looking forward to that as well. ❤️❤️❤️
Thursday, June 6, 2019
Sunday, June 2, 2019
|Study of Val, torso, and buttocks|
Conte on Arches tinted paper
16" x 20
|I always end up covered in my medium!|
It was a beautiful day in the neighborhood, so I was able to rest and get some figure studies done. I was able to do some preliminary sketches, and then a larger drawing, in Conte, on tinted Arches paper. I've been working out some other compositions and studies for a few shows that I have coming up -- one, rather quickly, and I feel that I was still dragging "tail" a bit this month, and I'm not quite sure why. I am in the capstone session of my Master's degree program, and that is a ton of work, so that could be why as well.
I really enjoy drawing, and decided it was important to focus the figure for the next several weeks while working out this composition for these new paintings. I can't divulge what they are until the show curators give the go-ahead, so I will be quietly working on them until the appropriate time for them to be "unveiled" by the group. Sounds very mysterious, but I assure you, on my end, it's not, haha.
So, I'll leave you with these photos of today's afternoon session. And, I'm never happy unless I am covered in my medium -- when I'm drawing. I am a bit of a sculptor while drawing the figure, so getting charcoal covered is normal and kind of fun for me ;-)
Yes, these are the strange things that make an artist happy!
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