Study of male nude torso in mixed media

"Study of male nude torso in mixed media" by Hilary J. England,

 Goauche and Conte on paper, 14" X 18"

I always like to try and mix thing up and use materials I don't use to often, so when I came across a box of gouaches tucked away in my studio, and decided to try and use them for a quick figure study.  I was really rusty with using the gouache, because it is a unique medium on it's own -- with the utility somewhere smack in the middle between watercolor and acrylics.  Just an interesting medium to use.

So, I did this hour figure study of a very lean and tanned young man, and I'm glad I tried something a little out of the box for myself.  Keeps things from getting too routine :-)

~Enjoy!

Study of male back/torso

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"Study of male torso/back in 3/4 rotation" by Hilary J. England, brown Conte on paper, 8" X 14"

Here is today's work. I was finally able to hook in with a male model, and do a few solid studies. This is the first one -- it took about an hour. I was in a slightly odd position of seeing him in a rotation, so although it was a challenge, it made for an interesting study.

I stuck with working strictly in brown Conte, with no other implementation of white or other color.  Simple and straightforward for this one 😊. Enjoy!

Study of female nude in India ink and Pastel

"Study of female nude in India ink and Pastels" by Hilary J. England, 14" X 18" mixed media on paper

Here's a figure study I did today, and decided to mix it up a little since I was rummaging through all of my stuff in my studio, and then started thinking about how it's been a long time since I did any mixed media work or studies, so I had some fun with the mixed media.

I have been doing a lot of figure work lately because not only is it vital for me to continue working with figure models just to keep overall skills honed -- it gives me a little different, edgier mindset than when I do landscapes.  Landscapes are my mental escape, where I build a little world for myself and occupy it.  Figure work is different -- it's like the landscape is someone else's body, and all of the interesting shades and textures are the grass and leaves and sky, but ultimately, they bring a different energy to that "landscape" that can never be fully mine, so the exploration is much different.

I have been working on my ongoing still life series, but now I have shows coming up, and have a new series that I will begin to pick up where I left off a few years ago -- my figurative, social realist study of "Rural American Youth" -- a continuation, this time second generation.  That fills me with wonder and excitement at this new little group of children and their emergence and growth -- like little flowers in the sun -- so much beauty and promise and hope.  God is good and life is beautiful, even through all of it's ups and downs.

~Enjoy!

Study of female nude

30 minute study of female nude, Conte on Ingres paper, 11" X 14", by Hilary J. England

I found an artist's group that actually does figure drawing online. Go figure!  Now, the model comes to you, for free, wherever you want!! It's a novel concept, and although I prefer working from a live model, this was interesting, and is at least something I can do when I can't make it to a group session down in Bethlehem.

I was able to jump into this session for the last 1/2 of a 3 hour session.  I love that they have sessions this long, and that you can photo the pose to continue afterwards.  It's been very hard to find a group outside of going to Manhattan that will have those long, single pose sessions.  I'm looking forward to be able to do some more involved figure drawing with this group.  It will be interesting to see how it goes with translating it from seeing the pose on my TV, rather than in person.  I mean, I have a 60 inch TV, so when she poses, it's about the same ratio as when a live model poses in front of me, distance wise.

Again, interesting!!!

Enjoy :-)

Female Nude Study

Study of female nude reclining, Conte on Gray Ingres paper, 12" x 16, 2016

The new year has started off quite robustly, as if shot out of a cannon!  The weather has been nice and mild (I don't want to jinx things here) so going to Bethlehem has not been odious, as the Blue Mountain is always that large, looming obstacle in the weather, and thankfully, we have seen no harsh conditions yet.  Yet.  Or maybe not this year.  It does happen once every few years: a mild, gentle winter.  We are definitely overdue!

I hadn't been to figure drawing in a while, just because I was busy, and time seems to slip away when you aren't paying that close of attention to it.  I had missed these drawing sessions, and hadn't realized how much, until I got there.  Now, the night before, I had precious little sleep (I have been wrestling with insomnia yet again), but I forced myself into that car with two large super-strong coffees and I was very happy that I did.  I like seeing familiar friendly faces and the camaraderie of the figure drawing group...it makes me feel very comfortable, like I am at home.  We all are so passionate about the same thing: the beauty of beauty.  Exploring the complexities of  anatomy and translating it into the second dimension. The rhythm and harmony of the human proportions. So that's a large part of things also.

I have a lot of different opportunities that have recently come at me, and it is a little overwhelming, since I was kind of on "coasting" mode.  I am trying to sort through them, in a studied, logical way, but I feel a slight feeling of uneasiness, and I get this sinking feeling sometimes that no matter how much thought you try to put into a decision, it's kind of going to go on it's own merry route, regardless of your attempt at planning.  Kind of like children!  So, I'm trying not to "overthink" things either.  Yes, as Anthony was saying to me, he has a feeling that 2016 is going to be a really good year filled with amazing opportunities and growth!  I agree. :-)

Pat with fringe

"Pat in a fringe sweater" conte on paper, 24" x 36"

We started Sunday night figure drawing sessions at the Art Establishment now, for those who can't make it on Friday mornings due to work, etc.  I enjoy these sessions so much, it's a time to really just relax and get back to basics.

This drawing is one of Pat wearing a fringe sweater.  It is a 10 minute study, a relatively fast study, but yet, 10 minute studies are the most awkward for me.  There not a super short study like a gesture, but not long enough to really develop the drawing, so I feel like it's really a middle ground, and I hate the middle ground, both in life, and even in a drawing/painting hahaha.  It's too uncertain and vague.  The foreground or front, and background, are always easy to manage, but it's that slippery middle ground and the relations to the front and back that make or break things.  And with a "middle of the road" drawing, not a gesture, and not a complete study, well, things get awkward for me...I usually get caught (proverbially) "with my pants down" as I start developing the drawing and am cut off in an awkward phase of development lololol.  This one is OK...in terms of proportions, her leaning stance, etc., but I really would have liked to further develop some value relations, and guess what, I just don't think that fast on my feet....I do usually, as I am getting used to just "laying it in" and then going back and picking it out, refining it, etc., which is good method when painting in oils, but sometimes, in conte, while drawing, not so much :-D :-D   So in all, it's always a learning curve, no matter where you are "in the game."  That's why I love it so much!  

Study of Pat

"Pat at the Art Establishment" conte on bristol, 18" x 24", 15 minute live figure study

Here is a quick 15 minute live study I did last Friday at The Art Establishment.  I really enjoyed doing some quick figure work, as I had not been able to do any live figure drawing in nearly a year....wow, the time sure goes quickly.  Now that I found this group that meets weekly,  I hope to be able to work with them a few times a month, weather permitting.  

This was a very quick study, and having talked to the group, they seem to mostly do rapid, gesture drawing which is nice, but I also spoke with them about doing a longer study, for perhaps 45 minutes to an hour, to really have time to develop a nice study of the subject.  They said this was a good idea, and hopefully we will be able to accomplish this on this upcoming Friday meeting.

So, that is the long and short of it for right now!

Home again

The Barnyard (after Respin) by Hilary J. England
11" x 14" graphite on paper

I returned home from Huntington Beach, California, yesterday afternoon.  It was a really long trip, and the flights were relentlessly full, so flying coach was like being part of a human sandwich--not fun.  It was over a twelve hour trip with the layover in Atlanta, and by the time I got home from Laguardia to Pennsylvania, I was nearly unconscious.  Thankfully I wasn't driving!!

I thought Huntington, Newport and Long Beach were pretty, but places I would only like to visit, not leave my heart with.  We laughed about the "HouseHags of Orange County" living there, and again, although it's pretty, it's not much to my taste.  Too new--no old, mysterious Victorian homes, just a crunch of new dwellings.   My immediate impression was to be baffled as I was landing in John Wayne airport (yes, I snickered too) at the sheer abundance of homes in the suburban sprawl of the outer counties of Los Angeles...it was actually sickening. 

Do we NEED this much housing???  Why are we destroying the environment with more, unnecessary housing--why can't people stop being so damned selfish and buy an existing home?   There is a glut of existing homes, and instead buying one of these lovely "older" homes, these self-centered egotists go build in the middle of a beautiful, animal filled landscape, because they absolutely HAVE to have their own to their very own specifications LOOK at ME house.  Disgusting.   Deep down, I think there is a parallel to SoCA's obsession with supericial looks and youth involved in this thinking...

IMHO, there is nothing wrong with being successful and owning a lovely house--but there are many people that feel that this status makes them entitled, and they don't care who or what they hurt to have their egos stroked, and that's where overabundance stems from.  My feeling is that the powers that be need to stop the building in Southern California, and utilize the inventory of existing homes.

Northern California is much more understated, in a wonderful way.  The houses seem to "breathe" and
there seems to be a relaxation and calm that is absent in Southern Cali.  I love the cool gentleness of the more rugged landscape, and that "breeze" seems to flow into the population.  No heat and clutter...and yet, some swear by it!!  But, I guess to each his own, so to speak. 

The oil rigs off of Catalina were also a sad sight...the majestic Pacific views were basically overshadowed by these ominous looking monstrosities overlooking the beaches.  Terrible.

But, I was very glad to see my sis(ters), and be a guest in her lovely older little beach bungalow, and the tidal pools at Crystal Cove were enchanting, with the clusters of brightly colored anemones and little crabs...that literally made my vacation.  Plus, some local cuisine made for a fun time--some Chronic tacos, and a yummy In and Out Burger...we kept it simple.

Anyway, some new paintings will be coming forth, so I'll keep you posted!!