Showing posts with label contemporary. Show all posts
Showing posts with label contemporary. Show all posts

Tuesday, August 27, 2019

Study of red rocks and female nude

"Study of red rocks and female nude" by Hilary J. England
oil on canvas, 16" x 20"

Here I did a study of the beautiful red rocks and the female figure.  I wanted to keep the figure, again, as not the dominant element in the picture.  This female figure was very taught, and I wanted to paint this as the angle of the body was extremely challenging, from the head to her toes.

This was recreated from several reference photos and not onsite.  I could never have a person hold a pose like that, and the rock formations are not native to my area -- more southwest.

I enjoy studying light, and anything with a lot of lines and directionality always draws me in.  That must be the compulsive part of my personality -- I like lines and textures, particularly elements that convey hard edges.  I love playing with hard lines and soft edges.  It's just my thing I guess.

~Enjoy!


Friday, August 23, 2019

New works


Untitled/ in progress - oil on canvas, 36" x 38" b


After graduating with my Master's at the beginning of August, I decided to take a few weeks and just breathe.  It was really a long haul, so much more than I realized, and getting adjusted to life after school took a little time.  I had to be able to adjust to not having constant research deadlines hanging over my head, and planning everything in my life around that.  It was like a phantom pain for a few weeks -- I would wake up and for a moment feel a sting of panic -- did I miss my deadline? Then I would slowly relax and think, "Nope."  A sigh of relief!

I started working on this new painting.  It is as of yet untitled.  I am still working in the genre of Imaginative realism.  This painting is also a self-portrait of sorts.  It symbolizes my inner self, and the struggles I have dealt with in this life, with pain and tragedy, loss, regret, and the strength to overcome.

I was not in my studio these last few weeks at Wagon Works, because it was just so dang hot.  I can't do that kind of heat, where I'm sitting at the easel, and I feel like I'm in a sauna.  I love my studio there but there are few drawbacks, and one is that there are no proper heating or ventilation systems, as the building is being restored, so in the intense heat or cold, it's just not manageable.  So, I worked in my home studio, even though that's not much better, because my A/C, as expensive as it was, is a hunk of junk.  Infuriating to waste money like that -- but there it is.  I'll have to buy ANOTHER system next spring, again.

I'm looking forward to the cooler weather -- the fall, and pumpkins (NOT pumpkin "spice" haha- though I do enjoy pumpkin pie), crisp weather and colorful trees.  Wearing sweaters and boots, and smelling the morning air tinged with mystery and damp leaves.  My schedule is starting to calm down a bit, and for that, I'm thankful too.

Then, in November, comes Egypt.  I go to Egypt, not Egypt coming to me ;-) .  I'm looking forward to exploring Egypt and its wonders -- the Pyramids, Luxor, Valley of the Kings, Hurghada and the Red Sea...taking a felucca down the Nile.  All in time to mark the half-century I've wandered this earth -- sometimes with a purpose, sometimes like a leaf on the stream -- but, by God's grace -- still blessed to be around.

Cheers!


Thursday, August 1, 2019

Portrait of Joey

"Portrait of Joey" by Hilary J. England, oil on canvas, 12" x 16" 2019

Portraits and life


I started working on portraits again.  I had taken a couple of months hiatus, after returning from Israel, as I had other projects that were really demanding, one being wrapping up my Master's degree, last week.

I love doing portraits, as it is always a challenge, but more, I feel like I get to know a person's spirit and soul while I am doing them.  This is especially true if a person has passed on -- and there is no physicality in this earthly plane anymore, to reference.  When a living portrait is created, I can reference the sitter, see their body language, the energy they give off, what their eyes tell me.  When I do a posthumous painting, I must pour over photos, listen to stories from their loved ones, and from those different elements, try to glean their essence -- what they were like while they were alive -- how can I capture their "likeness" in the portrait.

Defining a Portrait

A portrait is so much more than trying to copy a photograph.  You can copy a photograph down to it's last grainy pore, and not "capture" the person's true likeness.  Likeness comes when you can capture the persons' essence and spirit that emanates from their being-- in the present, or in the past, while they were alive.  When a person who loved them says to me -- "wow -- I can feel the happiness of their smile" -- or "you really captured their expression" -- then I know the artwork was a success-- it will "live" in the recipient's life, much more than just on their wall.

I have a Mom who tells me the portrait of her sons who both passed on gives her immense comfort, more so than any photo.  She "feels" them with her when she sits near their portrait in her living room.  This brings me joy to know it brings her comfort.  I feel my task was completed as an Artist when I hear her relay this to me.

And so, more will be on the way in the next few months now that my life is my own again! :-)

Saturday, April 20, 2019

Easter Weekend - Jerusalem

"Birds in the Garden" by Hilary J. England, Acrylic on canvas panel, 12" x 16"
Good Friday was yesterday, and I spent the day wandering and relaxing.  I tried to avoid the crush of tourists and pilgrims in the Old City, as I have had my fill of crowds, and I do think the Lord would understand that.  I can have a contemplative Easter weekend in the Holy City without getting squished by a mob.

Today is Holy Saturday, and the city has been bathed in calm since the Shabbat siren sounded last night.  With my windows open, the breeze gently wafted in, and I could hear the reverent and joyous singing of the Jews in the temple across the street.  It was relaxing and made me feel cozy and comfortable, curled in my bed under my blankets -- I have been nursing an infection in my slightly impacted wisdom tooth for the last few days, and it really started to hurt yesterday -- into my jaw, all the way into my ear.  I got slightly disgruntled and alarmed but decided to just keep at the homeopathic remedies -- continued saltwater washes, extra vitamin c, extra rest in the next few days, and prayer and meditation.

I decided a painting in the Garden of Gethsemane was in order.  It was extra quiet and the sun kept flitting in and out of the clouds.  One minute bright, the next, gray and windy.  I looked at the ancient olive trees, curled and gnarled, and wondered at all they had seen in the thousand years or more of their existence.  Did they see Jesus weeping in the garden? He had much to weep for.  He wept for his life, for what was coming, for those he was leaving behind, and the state of chaos the world was and still is in.  The trees stayed stoically quiet.  Their twisted trunks and branches curled into the gray as if they would embrace the sky.  Jesus had sought shelter in their embrace -- he longed to be comforted, for answers, for release.  All the others slept, and he was alone with God, and the trees. 

I looked at the little birds quietly pecking away at the ground.  Jesus had said we were more important than the little sparrows -- but he didn't mean they weren't important too.  I looked at them, in their own little world, so beautiful in their simplicity.  They brought me great joy to see them.  I relate to sparrows.  I've not been much in this life in terms of the world, but that's okay.  I feel I've completed to this point, the tasks I was ordained to, in this life.  And, I will continue to do what is in the purpose of my life -- painting to uplift others, to help others heal, to have a moment of peace and beauty in their day-to-day lives.  I thank God for all the little moments, the precious moments of beauty, like here today in the Garden.

Thursday, March 16, 2017

Early moonrise over the winter field

"Early moonrise over the winter field" by Hilary J. England

I have been patiently waiting on Spring, as we all are I suppose.  I don't mind the change of seasons at all, but when the end of Winter comes, we are usually all ready and chomping at the bit to move into the next season, and I am definitely no exception.

I have been more subdued this season, maybe because the month of February was so raucous with a lot of tumultuous news for me and my family.  Things are calming down now a bit, and I find myself just ready to do something: and that simply means more work.  More art.

So, I hope you enjoy this little study of the early moonrise over the dead field...with the new life just below the surface of dirt, waiting to spring alive with the first warmth of Spring.

 

Wednesday, September 7, 2016

Bumble bee on the sunflower

"Bumble bee on sunflower" by Hilary J. England
oil on canvas, 8" x 10" 2016

I have been very busy with several projects.  I have *3* books in production at the same time, so that is really a lot to juggle, and I pick up on my MS Comm (that's Master's of Science in Communication and New Media for those who are not familiar with the lingo) in a couple of weeks (first week of October), plus working on a larger painting commission that has me ripping my hair out, lol, so it's been hectic.  I did take the day to go out and plein air paint in the gorgeous end of summer weather, which I sorely miss.  I didn't go far (the edge of my own property) and just enjoyed the sun, and this awesome bumble bee on my last remaining sunflower. 

This summer slipped away from me in a whirlwind of work, heat, and contemplation, but I have much to be grateful for.  I plan on stepping it up even more after New Year's, with a couple of residencies I am considering, and some other cool projects with my gallery, and between the projects I have going now, well, it's a lot.  But, I like a lot! "A lot" always works for me -- don't want moss growing around my feet!.

So, back to school for everyone, including me, and that's a challenge I always enjoy.  When it's said and done who knows -- maybe a Ph.D just because.  We'll see.  My son is in the U for Physics, looking to be an Astrophysicist, so maybe we'll race to see who becomes a "doctor" first!! :-D :-D  Again, lots to be grateful for, and lots to do. No time for leisure books right now, but I have been forcing myself to read before bed just to decompress.  Newest book: Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely .   It's a wonderful book we are going to use in our Tuesday night women's bible study.  I thought I would get a jumpstart on things before we officially begin our group, and it's a very good book.  Personally, I don't have time right now to feel "left out" or "lonely," but I can identify with the "less than" part, because sometimes, no matter how much you do, you never feel adequate, or that you are good enough, so this book is a comfort and a guide to help for those moments you feel tired and inadequate. So, I'm glad I've been taking the time to "nourish my soul" right before bedtime.


Well, time to jet! Enjoy the weather, and the little painting~



 

Monday, August 31, 2015

Pat with fringe



"Pat in a fringe sweater" conte on paper, 24" x 36"

We started Sunday night figure drawing sessions at the Art Establishment now, for those who can't make it on Friday mornings due to work, etc.  I enjoy these sessions so much, it's a time to really just relax and get back to basics.

This drawing is one of Pat wearing a fringe sweater.  It is a 10 minute study, a relatively fast study, but yet, 10 minute studies are the most awkward for me.  There not a super short study like a gesture, but not long enough to really develop the drawing, so I feel like it's really a middle ground, and I hate the middle ground, both in life, and even in a drawing/painting hahaha.  It's too uncertain and vague.  The foreground or front, and background, are always easy to manage, but it's that slippery middle ground and the relations to the front and back that make or break things.  And with a "middle of the road" drawing, not a gesture, and not a complete study, well, things get awkward for me...I usually get caught (proverbially) "with my pants down" as I start developing the drawing and am cut off in an awkward phase of development lololol.  This one is OK...in terms of proportions, her leaning stance, etc., but I really would have liked to further develop some value relations, and guess what, I just don't think that fast on my feet....I do usually, as I am getting used to just "laying it in" and then going back and picking it out, refining it, etc., which is good method when painting in oils, but sometimes, in conte, while drawing, not so much :-D :-D   So in all, it's always a learning curve, no matter where you are "in the game."  That's why I love it so much!  

Saturday, July 16, 2011

Trippin' and jumpin'

"Pain in the A$$ ♥♥"  by Hilary J. England, oil on hardwood panel, 16" x 20" 2011


We are bounding through summer.  I leave on my roadtrip to Montreal in a few weeks, so I'm prepping for the possible "tornado" damage I'll return to when the housesitters leave.  The old saying, "when the cat's away..."  Ah well...these are the little pitfalls of traveling and still keeping your home safe.  At least my Dad is on top of things while he's managing the place!

Above is my newest painting, called, "Pain in the A$$"  I'll let you figure it out, just from her mischievious facial expression.  Sigh...teenagers.  Boredom.  Mischief and energy.  Know it alls.  I wish I was that age again, sometimes.  Just to have the energy and optimism.  But, when I think of going through life up to this point all over again, the idea makes me shudder.  So much for reincarnation!

Aaaaaaaanyway...going out for the day and leaving all inhabitants behind in the house.  My mediums are drying up in the heat, and I can't believe I've run through so much, plus, I have paintings to pick up at the framers, and other errands.  That's the glamorous life!

Enjoy♥

Friday, December 31, 2010

New Year, new year...

Nicole Cummings England, September 24th, 1973---December 24, 2010


Yesterday was Nicole's viewing, and what a hard day that was.  We started off with all of the kids crammed into the car (like the good old days!), and we set off to New York.  We had to make a "pit stop" in Manhattan to drop off some of my work for an upcoming show, and we did not anticipate that we would be sitting for *two hours* in the helix by the Lincoln Tunnel.  So, imagine a carload of teenagers whining about their asses being sore, having to use the bathroom, and being hungry, and being bored.  I was ready to RUN through the tunnel on foot by the time we actually got near to it!

The City was still poorly cleared and cleaned after the blizzard, so it made for monstrous traffic and parking became like the legendary unicorn...we did manage to find some illegal parking, and Mark stayed with the car as I used the young muscles to carry my work to the gallery.  After a much needed bathroom and food break, including a dirtywater dog for Mark for his post as parking spot "watchman,"  we started out on our journey again over the Brooklyn Bridge.  With traffic moving steadily at a crawl all the way through to Staten Island, we arrived nearly seven hours after we started our trip, and we were frazzled and just grateful to be out of the car by that point. 

We stopped to gather with the family before the second viewing of the day, and enjoy some light dinner together.  Her parents were holding up as best as can be expected when enduring a tragedy of this magnitude.  Her mother is an elegant, and beautiful woman, and Nicole and she were so similar, it is amazing to behold.

We arrived at the funeral parlor, and Mark went out to find some parking, as the number of mourners and friends, even at this final viewing, was overwhelming to the point of having to open up the adjoining rooms to accommodate everyone.  Luckily, Nicole's was the only wake for that time in that funeral home, so that all of her well-wishers packed every last seat, spot and crevice of the place.  There had to be at least a hundred people at this particular viewing, and several hundred during the course of the day.

The flowers were so amazing, literally a hundred different beautiful arrangements, some monstrous in size, down to a few, small delicate orchids with a dainty vase and beautiful sentiment, and they filled every last spot along all of the walls, fanning out from her coffin.  The scent of the flowers was overwhelming at first, and made me cringe...that sickening smell of sweetness, in association with funerals, always repulsed me until I can get over my aversion and adjust to it.

Nicole lay in a beautiful, pink lined coffin that was pearlescent gray, with rosebud handles, looking like Sleeping Beauty.  She was so beautiful still, even in death, with long blonde hair spread out, and a look of deep peace and serenity on her lovely porcelain skin, a hint of shimmering pink on her lips.  My emotion overwhelmed me at the sight of her, a mixture of disbelief, pain and sadness...how this can't possibly be true, it can't possibly be the end...and it's not.  The look of glowing acceptance on her cool cheek bolstered my knowledge of her residence in Heaven...she was with God, and she was released from this mortal world.  No more pain, no more suffering, and she will always be young, always be sweet and beautiful...

My sister had pinned a delicate, pink antique crystal brooch to Nicole's pretty white sweater, and the beauty of it made me smile.  Nicole was always such a stylish woman, she would be pleased.  I touched her smooth, relaxed hand as it clutched her crystal rosary, and whispered my final good-bye to her...

I hugged my brother and the boys.  They were holding up, and were grateful for the large outpouring of love and support.  My brother seemed dazed by the whole event, but put his best face forward, and greeted everyone with dignity and gratitude.

Today was her burial, early this morning, but we were unable to make it back.  Her parents understood, hugged us "goodbye," hoping that will keep in touch even though Nicole is gone now.  I promised her Mom that we would, and she looked deep into my eyes, with her beautiful blue eyes filled with tears, and for that moment I looked into her soul, and felt the depth of her pain, and all I could do is hug her and weep...

And so, we said good-bye to our beloved Sister. 

It's New Year's Eve, and I am very subdued, and yet, hopeful for the happiness that 2011 will bring.  Life is a mixed bag, and for the huge, sad events that happen to us, there are many, many good ones too.  We shoulder on, we remember our dear ones who left us, and we go forward and build happy bridges to the new people that enter our lives...our sister Nicole left us this year, but my sister Dale gave birth to a new baby girl, named Nicole, for our dearly departed, and we now get the privilege of moving through the new circle of life, and the pleasure of watching these new people grow into our lives...in the end, life is Good, life is a Gift, life is a Blessing.

And, with that thought, I look forward to 2011.

God bless you all, and have a wonderful, happy, healthy, prosperous 2011.

Tuesday, September 15, 2009

New Painting, same roadblocks!


Hi all...well, I finished my new painting, and the photography of it is giving me fits. I bought a book, etc. But, still no improvement. So, now it's time to call in the pros--I'm going to have a professional start shooting the photos--it's well worth the investment, both in terms of posterity, and frustration!

In the meantime, you can look at the painting with my bad photography, lol. The photograph is a bit washed out (the colors), and it will be interesting to post the professional picture versus my amateurish attempts.

So, here it is:

"Summer friends" Oil on Canvas 18" by 24"

Here is the creative idea behind it...since we are coming into the end of summer, I was intrigued by the colors and senses that summer brings, and how it passes away pleasantly yet somewhat bittersweetly into autumn. There is usually a surge of excitement, almost a relief, that follows the random cool breezes that begin to blow through the end of August and early September, signalling the change about to take place. Your senses all seem to sharpen, the air becomes clean and fragrant with a definite crispness...The oppressive heat of the summer begins to fall away...and although it WAS oppressive, there is still a small place inside of you that will miss that heat and the stifling warmth...because although it could be uncomfortable or inconvenient, it still had its moments of pleasing sensation and accompanying connections.
Most of the time, my world manifests itself in a sort of hyperrealism...the colors are magnified, the sounds and sensations are larger than real. The smell of a freshly split watermelon...the burn of a red hot aji pepper that can literally last for days...the fleeting delicacy of luscious, fullbodied summer rose with it's untaintedly sweet perfume...they all represented different faces of summer. So, I moved to capture them before I got caught up in the excitement of the new sensory experiences the fall will bring, and I forget what intrigue the summer had shown....

Wednesday, July 29, 2009

Tornado Time


We have a tornado alert in effect for the next hour...it's kind of laughable, since we live in Schulykill, PA.


Aside from having my power knocked out several times today, still no sight of it! Anyhoo...above is my latest painting--it's called "The Secret" and here's the tidbit behind it: I was doing yardwork and I started to get divebombed by a crazy robin, and I know birds don't generally carry rabies ;-) so I figured I'd find out what I did to irritate it so badly...upon some perfunctory inspection of the area gutters, and a large hedge, I found the "secret." Her nest--she was defending her nursery! It was better than an Easter egg hunt! I quickly left the area so she could go back to attending her nest and not abandon them altogether...


I've had a dickens of a time photographing this last painting, maybe since it's a high contrast painting...the darks and lights don't come through balanced like they do in the actually painting...it's a reflection issue, even though I'm not using flash.


Anyway--I've done the best I can in terms of photographing it, so now it's time to post it to eBay, Etsy, and all the other sites---going up very low, with no reserve price, so now's the time to go bid!


Take care and ttfn!

Crow in the Mist New oil painting

“Crow in the mist” by Hilary J. England, 12” x 16” oil on canvas  I was out walking along in the cold damp fog the day before the big snow, ...