Showing posts with label American Impressionist contemporary modern art artist's life. Show all posts
Showing posts with label American Impressionist contemporary modern art artist's life. Show all posts

Tuesday, May 28, 2019

Textures and landscapes

"Study of nude and the old barn (textures)" by Hilary J. England
oil on canvas, 16" x 20", 2019

Beginnings...

I began this mid-month with an intensely renewed interest in the figure versus textures of the outdoors.  This strange obsession must coincide with the full moon! I would say it's PMS but I haven't had an overwhelming urge for chocolate, so I cannot attribute it to that haha

Working with the group of models, it's still been rainy and hard to coordinate, but that didn't slow me down too much.  I just decided to work par Coeur -- and go from there.  I had a vision in my mind of what I wanted the paintings to look like -- limited palette, reminiscent of Manet, with an emphasis on the textures of the environment rather than the figure itself.  Naked and unashamed, but rather, an object in the landscape rather than the actual focal point itself.

These things madden me.  Trying to photograph the finished work is enough to make one want to down a gallon of moonshine -- the shadows were so deep, and the reflections wash those tones away.  I tried my best and had to let it go.  The painting DID have the quality I set out to capture, even if the camera would not cooperate with me.  That age-old struggle will never end.

Conclusions:
I guess I can't be too dismayed.  I feel the painting is a success, even if the camera is telling me to go jump in a lake.  I will attempt to re-photo it in the next few days.  I'm just too tired and frustrated now.  The hits don't stop because you are creating -- on the contrary, they seem to ramp up while I concentrating on a task! I was being lazy and didn't set up the lighting etc.  -- it was a long day and I just didn't want to be bothered.  Tomorrow! Like Scarlett said, "after all, tomorrow is another day!" ;-)

-Enjoy

Friday, April 19, 2019

Day 7 & 8: Jerusalem, Jordan, Jericho, and the Dead Sea




Days 7 & 8:

Day 7 was spent visiting the King of Kings Ministry, around the corner from my apartment, and meeting the wonderful people there, and all the work they do for the Lord! It was a nice afternoon, and they showed me around their facilities, and then I had the pleasure of having lunch with Marj, a friend by proxy from the States.

Day 8, I packed up early and headed out on an exploration of the regions of Jericho, Jordan, and the Dead Sea.  I met up with a tour group -- because I knew access to Jericho would be nonexistent, since it is in Sector A of the West Bank, and that is just completely out of my depth.  It's a hostile region held by Palestine, and I knew that attempting such a thing alone would not only foolhardy -- it bordered on insane.

So I engaged with a small group with a guide, Yoav, an Israeli who held a special permit to enter Palestinian areas.  Normally, Israelis are forbidden in these zones.  There is a big red sign at the checkpoint that states in Hebrew, Arabic, and English -- that Israeli citizens are forbidden beyond this point and can be lawfully killed for trespass.  Pretty brutal.  Talk about harsh penalties for illegal "immigration".

Our first stop was to take a peek into the desert, where the Bedouin still live.  We got off the highway and went a few miles into the desert, winding up and through the bleak landscape.  Camels free-roamed, grazing the hills, as did goats.  Bedouin shanties dotted the landscape here and there.  Finally, we came to a beautiful scenic point where a monastery clung to a cliff -- in a manner reminiscent of the photos I've seen of Petra.  A big cross marked the area as one that had once been occupied by Catholic monks.  It was beautiful, but I felt a sort of sadness mingled with the empty beauty of the area.  And a slight chill of danger -- I could understand this would be an extremely harsh existence these monks had signed up for.

Our group departed and continued onward into the different Sectors or zones of the East and notorious West Bank.  Zone A is Palestinian controlled, Zone B is joint, and Zone C is Israeli.  There were signs of hostilities all over the place.  "The burn marks on the pavement are from recent Palestinian uprisings -- burning tires and attacking whatever vehicles were driving by," Yoav said with a chuckle as he shook his head in bewilderment.  That was not a comforting thought.  I glanced around, but the landscape was quiet and empty.  We entered into Sector A and went to our designated point -- Jericho.  We toured about the "modern" city a little (in the van) and then we stopped at a restaurant in a casino area and formulated/confirmed our gameplan for the day.  As we sat in our little enclave, vendors came to sell us things, but Yoav sent them away.  "They'll hassle us all day long otherwise."

Our first point of interest was to ascend the Mountain of Temptation, where Jesus stayed for 40 days fasting and was tempted by the Devil, who showed him the kingdoms of the world.  We would need to take a cable car up to the nearly 4k mountain top.  I hate heights, but I knew that in order to see this site, there was no alternative, so putting my discomfort aside, we climbed the steps to the cable car station and boarded.  We began our descent across the land, climbing higher and higher.  In the car, we all looked nervously at each other, giggling, nervously chatting,  and anxiously trying to maintain our composure.  At the halfway point, perhaps, the car just suddenly came to a halt, both sides of the cables.  We sat there gaping at each other, and at the other people in the other cars.  The cars just swung in the wind as the minutes ticked by.  I began to get extremely scared, bordering on creeping terror.  The interior temperature in the car was about 100 degrees, with only a small 6" x 6" ventilation window to let air in.  "Oh God," I prayed.  "Please let this thing move soon."  The older Norwegian woman looked at me with naked fear in her eyes.  "What do you think has happened?" I looked helplessly back at her.  My mind raced.  If this thing broke down -- how would they get us out?! I suddenly felt really angry at myself for even getting on the damn thing.  I shrugged.  "I don't know.  I don't know." We all sat in terrified silence.  Just when my mind had reached its most dire conclusion, the car lurched. The girl from the Congo let out a small scream, as we all grabbed onto each other, and then the car began slowly moving upward on its track.  "Oh thank you Jesus!" the Korean man laughed.  We all began laughing in relief and talking, so happy to be moving upward again.

We finally reached the level of the second cable station, and we literally jumped off.  I said to the Norwegian woman --"Yes, I think I might take the long road down rather than get on that thing again" and she began to laugh in agreement.

The second cable station level still did not bring us to the top of the mountain, or to the level of the monastery we were seeking.  We still needed to climb an additional 3,300 steps.  Crap.  Flashbacks of Santorini danced through my head and I sighed.  This time, there were no donkeys to haul us up there.  We began climbing.  I would climb each long row, and then stop to take a "picture" breather.  This system worked for me without causing me to have a heart attack! Others climbed a little more slowly, trying to manage the steep steps as well.  I reached the monastery and felt a surge of happiness.  I was extremely curious to see it, as photos of it had looked amazing.

It didn't disappoint.  The monastery was incredibly beautiful and ethereal, like catching a glimpse of what I pictured the Halls of Heaven would look like.  Carved into the rock of the mountain, the entire areas were ancient and ablaze with cream colored light, giving it an almost supernatural atmosphere.  We explored this incredible structure, with the monks "cells" actually hanging thousands of feet in the air off the cliffs, each with its own little gleaming, burnished door.  I was so tempted to pull the handles and see what was inside.  Maybe nothing.  Maybe a facade and you fall thousands of feet off the mountain, hahaha.

Inside the actual chapel resided the rock that Jesus had sat on, which was now protected from visitors behind glass.  In the past, people tried to chip pieces of it off, etc., so the protection was necessary.  The girl from the Congo, and her husband, immediately fell prostrate before the rock and singing songs in African to worship the spot.  It was both fascinating and enchanting.

After we left there, we made our way back to the cable cars.  We were all nervous, but Yoav chatted with the operator who assured him all was well.  We descended without incident.

When we reached the ground, we decided to go to the archaeological site of ancient Jericho and have a late lunch after.  We explored the site for an hour or so, discussing the science versus biblical references and implications, and then went a viewed a small media production about Kathleen Kenyon, the archeologist who is credited with much of the excavation of Jericho.

We ate a huge lunch in an "oasis" restaurant -- all Arabic cuisine.  The restaurant owners just kept bringing more food -- we started with local dates and fruits, and then there were all sorts of pickled vegetables, grains, pitas, and hummus.  Then roasted chicken, kebobs of lamb and mutton, followed by homemade "pita pizzas" with tomato and goat cheese.  "Eat eat!" the old man serving said.  "It's very good!" We washed it all down with big glasses of lemon water with sage leaves.  I was very grateful for their kind hospitality to us.

We left the restaurant and went to the tree that Zaccheus climbed while Jesus was passing by -- now controlled by a compound of Russian orthodox.  "Nothing will ever happen to this tree with the Orthodox protecting it" laughed Yoav.

We continued on to the Jordan River, to the spot where John the Baptist baptized Jesus.  It was in Sector B, in an Israeli militarized zone.  "Please mind the signs!" Yoav warned us sternly.  "There are still many active landmines in the area.  We don't want you to go ka-boom!" We all laughed.

The Jordan was very low, and muddy.  Some of the people in the group were a little disappointed, hoping to be baptized there.  Other acolytes stood around the banks looking dismayed to go into the brown, still water.  "Looks like there might be crocodiles in there," I said snidely, and Yoav thought this was very entertaining.   I decided to be brave and waded in.  I said a prayer of thanksgiving to the Lord for such a beautiful river, and for all the blessings he has given me and my family, and then sat quietly on the steps for the duration, just meditating and enjoying the sun.

We left there and headed to the Dead Sea, for the last part of our day.  We had 3 hours to float around and enjoy the waters, and we all headed in eagerly to the Kalia Beach resort.  After securing my gear in a locker, I headed down to the water.  I was given different warnings about entering the water because it is so salty, it feels like "goop" or "oil," and if you get the water in your eyes, you are going to be very unhappy.  Just as bad if you get it in your mouth or swallow it.  Ugh.

I walked down to the water's edge, where there were about 20 or so "floaters."  They seemed peaceful enough.  At the shoreline, young people slathered the black mud all over each other, and then took photos of each other.  It strangely reminded me of something I would see in Coachella.   I gingerly took a step in and sank about up to my calves in goop.  I immediately recoiled and went to my knees, and began floating with everyone else.  They were right -- it did feel "oily".  My somewhat clumsy entrance had splashed water onto my face.  I made the mistake of rubbing it off.  It contaminated my lips with the salty sludge, making me literally gag.  I continued floating and spitting it out until I couldn't take it any longer, and was forced to crawl out of the water and rinse my mouth in the shower.  Yuck.  I had enough!

I showered off and headed up to the terrace, where there were several open-air lounges.  I got an iced coffee, and just people watched.  There were people of all ages and nationalities leisurely strolling by.  Flags from every nation fluttered in the wind.  The USA had the biggest flags there.  I smiled.  I continued to sip my drink, and chat with some of the other beachgoers.  A couple from Texas.  Another solo female traveler from Miami - who was actually leaving the beach, hitting her hotel really quick for another shower, and then flying out of Tel Aviv at 9 that night.  We chatted about our travels, our families, some of the sites and experiences we had there in Israel, decent restaurants, etc.

Finally, it was time to go, and I was ready.  Despite all my precautions, I had gotten a little crispy and was ready for a real shower.  The day was very successful and we covered all of our trek plans, and I got back to my apartment in time for a nice dinner with Schterny and Sensei -- and to call home and chat with Dad and Dale.  It was an excellent day!




Saturday, November 12, 2016

The Marker

"The marker" by Hilary J. England
oil on canvas, 8" x 10" 2016
It's been a long few weeks, packed with excellent things, and the not-so-good, and the downright sad. All of this whirlwind of activity has left me a bit disoriented, as if I was rolled by a wave on the beach.  I am trying to get back to some semblance of normalcy again, now that the babies have all arrived, memorial plans are established, and my own health has been stabilized (hurt my bad knee) and I can just take a moment to breath. 

I was able to get outdoors for a little while and just settle and think.  I saw this scene, on the outskirts of the local memorial park, and it was peaceful and reflective and appropriate given that it was Veteran's day, and all that has ensued in the last few days with the Presidential election, etc.

It just felt good to be back to plein air working.  I have been pretty tied up with inside work, including working away on my Master's degree coursework, so things are pretty busy, and a moment to reflect is always lovely.

~Enjoy!

Saturday, October 8, 2016

Strawberry


"Strawberry" by Hilary J. England, oil on canvas, 2" x 2" x 1.75", 2016



I have been lazy these last few days, and I'm not sure why.  My eyes and back have been bothering me, so that could be part of it. Aging is not for the weak or faint of heart, for sure! I decided to just add on to my still life series of single fruits suspended in black space.  It seemed a good place to start and simple enough so that not to tax my aching back and blurred eyes too much. Plus, this was a nice model -- tender and juicy after the session hahaha.

~Enjoy!!

Friday, August 26, 2016

Wrapping up Summer

Yet untitled, oil on canvas, 18" x 24 x 2" by Hilary J. England

I have been very busy working away as the end of summer approaches.  There were certain things I decided to do, just for my peace of mind.  One was to greatly reduce my time online, particularly on social media.  I began to realize I was spending more and more time in the virtual world, and it was having a very detrimental effect on me -- across the board.  My attention span was greatly reducing, and I could not remember the last time I had actually sat down and dived into a book! Trade articles, magazines, anything quick, quick, quick, but not actually sat down with a cup of tea and an hour's free time, and just relaxed and read a book.  Very sad indeed.

So, I began reading a new book, "The Things We Wish Were True" and I have to say, it is a very interesting book.  The title is really what caught me since I had been feeling very kind of out-of-joint lately, and I couldn't put my finger on the reason why.  I just knew further trimming and pruning in my life was necessary, and social media was a drain that was not giving back much if anything for the time it consumed.

And, presto, I do feel much better these days! I have several projects in the works, including my memoir, "The Last Track" which is being published in March 2017 through the Upper Hand Press, and also an e-Book on the way (I'll publish all the information as that gets closer to the publication date in the next month or so).  I also have two portraits I've been working on, of course, my ongoing obsession with landscapes and outside projects as well, some big, and some little but time-consuming.  So, my plate is most definitely full!!

Our group show, "What Dreams May Come" at my representing gallery, Studio 26 NYC just passed, some I am gearing up for our next upcoming shows, and I am looking forward to the coming change of scenery with Autumn.  Things are moving along as always, and I have to say, I feel the weeds have cleared out after trimming more unnecessary time drains.  I would definitely recommend a quarterly overhaul of your schedule book -- it does the body and soul just as much good as a day at the spa haha!!

The painting I am currently working on is 18" x 24" -- My goal was I was very interested in the dramatic lighting that enveloped these children.  I'd say I'm about halfway done.  I had a wasp chase me out of my studio today, besides my A/C kicking out and it being 120 degrees in there.  Yes, that was more than enough to call it a day...

Stay cool peeps :-)

Wednesday, May 25, 2016

The Jailbirds

"The Jailbirds" by Hilary J. England
oil on canvas, 8" x 16", 2016

Continued my path around town today, and found this interesting little scene.  It was really very difficult to paint on the spot.  The light was tremendously bright today which made seeing extremely hard from the full and intense direct sunlight.  Hat didn't help, and sunglasses would have just made things incredibly funky.  I guess I should have embarked earlier, or later, rather than at noontime.

I really enjoyed the flowers bulging against the rusty old chain link fence.  I felt kind of like I was looking at beautiful creatures in a cage, like they had gone to prison, and were straining to be let go and released.

I always enjoy finding little scenes of quiet drama.  They seem to be nothing on the surface, but just below, there is always a mighty story!

~Enjoy!

Sunday, May 15, 2016

New vines

"New vines" by Hilary J. England
8" x 16" oil on canvas

It's been a pretty productive week, although I have been feeling a bit tired since I've been working out extra hard, and once you hit middle age, well, recovery just isn't what it used to be.  But, extra sleep helps.

I have been working around town, and my particular focus is all the interesting little mundane things that people seem to miss in their mad rush of living life.  Spring is such a lovely time to notice these little things, like the blooming of new flowers, and the renewal of everything.  I notice these new vines shooting off an old tree, creeping up onto the lattice of an old basement, and it was very eye-catching to me.  Yes, the beauty of these things always catches my eye, and I think of the grand design and what an artist God is.  Truly incredible to me.

~Enjoy!

Wednesday, March 23, 2016

Life's a garden

"Dusk in the flower garden" by Hilary J. England
11" x 14", oil on canvas, 2016

I can't believe a whole month got away from me.  I have been working on various projects, including a book, and I had two different commissions, so this work has kept me very busy.

This week was a sad week.  News of death arrived, and that always hurts and is a wake-up call of sorts: Life is hard, but life is beautiful.  Along with the death of my friend, and there was also the death of a young man -- the son of an acquaintance from long ago -- very very sad.  These type of inexplicable events always give me pause to stop, and reflect.  Yes, life is hard, but life is beautiful.

So, I began to paint from some old photos I put together.  I really wanted to cheer myself up and just paint something that would warm my heart up again, and for me, that is always children.  And gardens.  Because after all, life is a garden, and children are life, so I painted this little painting, outside in the beautiful warm air, just lost in my own thoughts. Life and truth and beauty.

And -- I also reflected that with the sad news came sweet news also.  News of babies being born, and others to come -- quite a few of them are on the way with Spring and Summer -- and that made me smile.  Who doesn't smile when life renews itself?

So, I look forward to the Spring with renewed vigor and a positive joy for things to come!

~Enjoy

Thursday, December 10, 2015

Barren birch in the autumn field

"Barren birch in the autumn field" by Hilary J. England
8" x 14", oil on canvas, 2015


It's been a busy week with Christmas approaching...putting up the tree and decorations, and all the other preps we usually make.  I have been working steadily on my writing as well, and this takes alot of time in itself.  I have three different articles going, while I also have my short story for the Travel Anthologie to clean up, so very busy indeed.

I can never NOT make time for my love though...which is plein air painting.  It just clears away all the wreckage, and helps to bring my soul back to balance.

This painting of a really beautiful, bare birch tree was a bit nail-biting in that it really looked like it was going to rain, and being that it had rained on and off for days now, I was racing the clock to not get soaked.  The weather held until I was done, and I was able to finish up, happy, warm, and with no wet feet.

~Enjoy!


Saturday, November 22, 2014

Strange twisted tree by the river

"Strange twisted tree by the river" by Hilary J. England
8" x 10" oil on canvas, 2014

I have been at work, working on some new paintings for the Dacia show in February, 2015, but I still always have time to paint something very beautiful in nature.  This strange, twisted tree, by the river in Weissport, fascinated me almost immediately, and I could not resist but to do a fast study of it, even while the wind was forcefully encouraging me to go home, haha.

So, after one belly flop into the dirt after my easel went down for the count, and a complete scraping to the canvas, I still managed to capture the unique tree in all its splendor!  Creation and the beauty of it never ceases to amaze me, and wonder at it like a child....

Saturday, June 9, 2012

New Painting, "The Road Trip"

"The Road Trip" by Hilary J. England, oil on canvas, 36" x 48" x 2", 2012

Here is my newest painting, "The Road Trip."  I absolutely adored creating this painting, with the challenge of fleshy, rosy little cheeks, the strange intimacy of the overcrowded car, and the private universe each child seemed to inhabit--what was going on beneath their quiet exteriors?  What dreams were flitting through their still little forms?  They were together, yet very separate; each with their own distinct and immense dreams to explore beneath their closed eyes.

I wanted to convey the cramped quarters, yet how they still were able to find that comfort of sleep, even in the discomfort of an overloaded car.  Travel has its drawbacks, yet we deal with these annoyances to get to where we want to go to...we overcome to get to a goal, a better and greater destination.  This starts in infancy, and never ends until we are dead, and then it goes on from there as well.  What a wonderful cycle to delve into!

Each child looked as if they were engaged in their own dreamworld, with each of their expressions conveying a different experience, a different expression, which reflects in their personalities as well.  It was completely enthralling, and in the end, it was hard to wrap this painting up and end the experience of it.  I literally had to tear myself away, and resist the urge to keep working at it.

Friday, June 1, 2012

Busy, busy, busy!

"Stormy sky" by Hilary J. England, oil on canvas, 8" x 11"

I've been very busy lately, and also, had an extremely hectic month.  Three car accidents, one with injuries, two without, last one involving us getting hit-and-run by a drunk driver on Memorial Day weekend, who thankfully was eventually caught.  Not a good month for my mind, getting frazzled every other day with serious car accidents, or for our wallets.  But, the old superstition is that bad things come in "threes," and there you have it. If I want to put a positive spin on it, it was good things.  No one died, or was permanently injured, thank God.  So, it's the old "half-full, half-empty" deal.  I will look at it as half-full!

I've also been very busy with a time-consuming class, and lots of work from that.  But, that's fine, and thankfully, it will be wrapping up in a little over a week, so I look forward to the month off I have coming after it's finished.  I will certainly need some time to just relax and get caught up on some "me" time.

I feel good today, despite having the worst allergies right now, my eyes are swollen up like I have pink-eye, LOL.  Claritin won't touch these bad boys!  So, I will just deal with the condition...usually the month of June, for some reason, is worst for me and my allergies for the first two weeks of it, then it just goes away.  So, I know it's just a matter of time.

I am packing and getting ready to head back to Europe in a little over two weeks from today.  Nice and the French Riviera.  I am very much looking forward to my three weeks I will be there.  I am doing an artist's residency with a gallery out of Naples, Italy, with a satellite gallery in Nice, and the apartment they are putting me up in is literally right on the beach, so I should bronze up nicely!!  I just have to make sure I pack lots of sunscreen so I don't get burned to a crisp.  It's an art form in itself, trying to get the right balance of sun.  Unbelievably, I burn SO bad.  But, if I get a very gradual exposure, I do get nice color.  Very strange for someone who is has some olive tone in there.

I plan on a four day excursion into Italy--one day in Milan, two in Rome, and one in Naples.  I am all arranged for it, with a room near Vatican City for those days.  Having never been in Rome, I am extremely excited at the prospect of it.  Rome and Roman history has always been fantastic and mysterious to me, the beauty, power, and brutality of it, along with the longevity of it's survival has always made me think that it was the supreme civilization of all, even to this day.  But, that is my opinion, and I'm sure everyone else has their own idea of it.

So, I am carefully packing, because I don't want to be lugging a lot of crap around with me, and have to also take into account my painting supplies which will be stowed inside my luggage (and takes up probably half the suitcase).  I'm only bringing one large suitcase (Yes Jilly, the Life Raft!) along with my carry-on (which is just my laptop and computer/business gear) so I have to pack very carefully since I will be gone for three weeks, and I can only bring the bare necessities.  But, as long as I have access to laundry, I'm good.  It's all about roaming and painting, and sunbathing, and mingling.  It will be awesome.

Well, I am trying to finish up a new painting in my series, which I am determined to do this weekend, all other things be darned.  I want to bring it to Myron for Monday, or Thursday the latest.  His opinions are very important to me, and I would like the peace of mind to have a critique before heading overseas.  So, I'm out on this quiet, rainy, afternoon, and I am looking forward to getting it done.  It's time.

Ciao!


Wednesday, May 16, 2012

Getting back into the groove...

"Study of marigolds in a ceramic jar" by Hilary J. England, 2011, 8" x 11" oil on canvas


I haven't been painting much lately, sadly.  I feel like I spend all of my time in hospitals for the last year or so.  This got me down, really down.  It was an effort to even get the basic things done around me, such as getting out of bed after a while, when I would lay there and see my afternoon filled with shuttling kids around to Dr appointments, between Anthony and Noelle.  But, after a couple of weeks of feeling down, the Spring won out, and I picked up my brushes, dusted them and myself off,  and got back to work.

The weather went from 50 to 80 in nearly a day, so the air conditioners will need to be put in soon.  This makes me a little frustrated because that small window of time, perhaps two weeks, (which when I was a kid used to be the entire Spring season) that we all have between freezing temps and blistering heat,  has now passed in the middle of my turmoil, and that was a very productive time for me, because it was one of the only times of year (a few weeks in the Autumn as well) that my studio was completely and blissfully comfortable in terms of temperature.  Now I will have to start sweating it out in there.  Yuck.

Ah well.  I can only go to work and be thankful I actually have a studio nowadays.  For years, I put all three kids into a bedroom, with bunk beds and a crib, and used the other bedroom as my "studio."  Mean?  Not really.  Even after we bought a big house a few years later, when they were young kids and not babies anymore, and they all had their own bedrooms, they still all wound up sleeping in one room anyway.  Funny how that is!

So, enjoy the little study I did of the marigolds.  I had to start somewhere, and I find that painting flowers sometimes is very soothing, because of their texture, and their quiet, transient beauty.  Plus, smelling them is always a bonus!

Thursday, April 12, 2012

"Bright blue Spring sky, yellow field, one red poppy" by Hilary J. England, 2012, 8" x 11"

So, all of the holidays and birthdays are done now, THANK GOD.  I don't think my nerves or my wallet could withstand anymore, hehe...

I've been out and about, with the area being in full-bloom, and so much beautiful color everywhere, I just don't know where to look first.  It's strange, because of the weird "winter" we had this year, everything bloomed early, or just in an odd pattern, with daffodils springing up, and withering in some cases, and then, there was this.  In the middle of a yellow field filled with new grass or hay or whatever this blooming mass of grass-like growth was on a farm-field, was a surreal, rogue poppy flower.  I didn't pick it, just painted it.  I don't want to wear out my welcome on any farm, or worse, get shot with salt ;-)

The sky was intensely blue, yet with thunderclouds behind me, so I had to move fast.  So, here is the result of a rapid study...I can still see the rogue red poppy in front of me and smile.

Saturday, March 10, 2012

Out to the studio


"Foggy Spring farm field" by Hilary J. England, 8" x 10" oil on canvas

It's a lovely day, and I am out to the studio today.  A little cold, but I can't complain...the daffodils are all blooming, and besides, I am lucky my studio isn't burnt to the ground after last night's fiasco...

Around 11:45 pm last night, we were snoozily watching Yves Montand and Marilyn Monroe in "Let's Make Love" on TCM, just getting ready to go to bed, when I heard this loud bang that seemed to come from upstairs, or the front of the house.  It snapped me awake, and I thought, "what the heck is Anthony doing up in his room??"  A few seconds later, we heard an even louder boom, so loud, it sounded like a sonic shockwave from a jet, or a car crashing into the house.  It literally shook the house like an earthquake. 

We all jumped up and began looking around the house, when Anthony went to the side balcony and started yelling, "Fire!!  Fire in the front of the house!!"  I yelled, "Is it the house?"  He yelled back, "I can't tell, I can't see--only flames shoooting up!"  We all raced to the front of the house, and there in the street, in the front of the house, was an SUV, completely ablaze, flames shooting as high as the telephone pole. 

We were shocked, and felt horror thinking there was a person in there.  The heat was too hot to approach, and we were afraid of further explosions...then suddenly, from the side of our house, a man emerged, looking aghast.  He was the driver of the burning vehicle, and managed to get out of his vehicle unharmed.  He explained he hit a deer, and a few moments later, as he tried to limp his car off the road into the dirt parking lot across the street, the car suddenly exploded into flames. 

He was able to get out with his life and his laptop.  He had just bought the truck the week before, and it had only limited insurance on it...he had had bad luck with that, but good luck because he is alive and unhurt.  We all watched from the corner of the house as the fire company went to work putting out the inferno.  It was pretty impressive, that a car could burn that long, hot and fiercely.  After about ten minutes, they got it out, and then went about the business of hosing down all of the rooftops in the area, so no ancillary fires began and cleaning up the wreckage.

Since my studio had been literally in front of the inferno, we had to haul all of the paintings out through the side door while this was occuring, just as a safeguard in case the barn went up in flames.  It is over a 100 years old, and would've burned down very quickly, and I would have lost a bulk of my paintings, so we had to move quickly.  Now, this morning, they are all back in there, but I have the unpleasant task of rehanging them all...which I am not looking forward to.

So, with that being said, I will leave you with a pleasant little painting called "Foggy Spring farm field" done last Spring, so I can keep my thoughts and spirits focused on happy and warms days to come, and remember that things can certainly always be worse...and I'm thankful for just being inconvenienced and not plundered. Enjoy!

Saturday, January 21, 2012

"Pony in a misty field" by Hilary J. England, 2012, oil on canvas, 8" x 11"
Snowy today.  That's nice though.  We've had no snow this winter, and I don't mind it, especially since I am leaving for Fort Lauderdale tomorrow, haha.  That's one of life's little gifts.  enjoy the snow, then head for warmer territory.  That's OK though.  I love the cold weather, so even if I stayed, I'd be perfectly content with the snow.

Here's is a quick little painting I did, and I say quick because ponies and horses don't stand still for so long, even if it's they are at a constant slow motion.  We have so many beautiful horse farms around here, but getting a quick painting of a horse or pony can be challenging, not so much from the beast itself, but from the farmers...you gotta watch or you'll get an arse full of salt shot, haha.

I really enjoyed the way the rays were illuminating the mist...very beautiful and almost reverent.  
I love unusual weather, and this was one of those moments.

So, inside today, after shoveling the walk, forcing my spoiled little dog out into the snow (she resisted mightily...I may have to get her little doggie galoshes), and now will work on the last day of math I hope I am ever forced to take!  So, although it's quiet today, I am very good with that too.

Enjoy the little painting, and I'll give more information about my upcoming show in Fort Lauderdale as it comes in.

Ciao♥

Friday, January 13, 2012


"The Tree (Autumn dusk)" by Hilary J. England, 8" x 11" 2012

I have doing little painting studies between fighting through a brutal math course, and never-ending annoyances with kids, for real.  I think these little studies help to keep me sane.  The winter seems to sometimes put a damper on my feelings after a while, because everyone has this inclination to remain inside and under each other's feet and skin.  If someone askes me one more time "what's to eat," I may go postal LOL.

Anyway, I haven't been to the canal in a few days, and that has me depressed.  I miss my runs, and my knee has been hurting, my good one, so that has me a little worried.  I'm so damn thankful this math course will be over next week, and I still have to find time to truck 8 paintings down to Ft. Lauderdale in the next week and a half for a dual show down there.  Yikes...but, road trips I enjoy.  Staying at home studying for math, I do not.

So, that's where its' at.  I've been lazy with the holidays photoing new work, and have just started a new direction for a new series, this year.  Same subject matter, slightly different progression.  It's what I love, painting people and landscapes and if I can combine them, even better.

So, here is another little paint study called, "The tree (Autumn dusk)" and it was painted right here in Schuylkill county Pennsylvania.  Enjoy♥

Saturday, November 19, 2011

The Rollercoaster that is Life...



Back to the day in and day out...that's OK.  I don't mind it.  I do have some very big changes coming in the next few months, and I'm looking forward to shifting gear.  Change is hard, but I know that it is the only way to progress into new parts of your life, and continue growing, so I brace against the wind, and run headlong into it!  That's just my style.

I have some shows coming up in the next couple of months, the first in Chelsea in another week or so.  It is called "Idiosyncratic Expressions," and will be on West 25th Street, with the opening on December 1st.  I'll be really busy in the next upcoming weeks and months, and that's always good.

On a sad note, my friend Lori passed away this afternoon.  I was so saddened to hear it.  She had been only recently ill with cancer, lung cancer, and went downhill so quickly, it was shocking.  She was the sweetest person.  I know most people always say that after a person is gone, but Lori literally was.  She was a gentle, shy, funny, witty gal with a heart of gold.  We  bartended together "back in the day," and we remained in contact because we always passed in the same circles, and remained in touch.  I knew she was ill through a mutual friend of ours, and I talked to Lori and planned to go see her this week, not realizing how close to the end she really was.  She died this afternoon surrounded by family and friends.  I'm happy she passed in such a loving way...

She was such a fighter.  According to her oldest daughter, she was drinking coffee until a few hours before her death, and still conscious!  She was beautiful and spunky, with baby blue eyes and a shy but dazzling smile.  Now I don't get to say goodbye to her,  only to her family.  I can kick myself for not moving more quickly, for thinking I had more time.  I saw she was out to a luncheon with friends only ten days ago, so I couldn't fathom she was that close to death.  I am heartsick now.

R.I.P. Lori.  You will be missed.  You touched many lives with your kindness and compassion, and your strong but gentle will.  May flights of angels see you to your rest.

Saturday, July 16, 2011

Trippin' and jumpin'

"Pain in the A$$ ♥♥"  by Hilary J. England, oil on hardwood panel, 16" x 20" 2011


We are bounding through summer.  I leave on my roadtrip to Montreal in a few weeks, so I'm prepping for the possible "tornado" damage I'll return to when the housesitters leave.  The old saying, "when the cat's away..."  Ah well...these are the little pitfalls of traveling and still keeping your home safe.  At least my Dad is on top of things while he's managing the place!

Above is my newest painting, called, "Pain in the A$$"  I'll let you figure it out, just from her mischievious facial expression.  Sigh...teenagers.  Boredom.  Mischief and energy.  Know it alls.  I wish I was that age again, sometimes.  Just to have the energy and optimism.  But, when I think of going through life up to this point all over again, the idea makes me shudder.  So much for reincarnation!

Aaaaaaaanyway...going out for the day and leaving all inhabitants behind in the house.  My mediums are drying up in the heat, and I can't believe I've run through so much, plus, I have paintings to pick up at the framers, and other errands.  That's the glamorous life!

Enjoy♥

Friday, June 24, 2011

Say Uncle!

"Uncle" by Hilary J England, oil on canvas, 24" x 30"

This is my newest painting in my rural youth series.  They are of endless fascination to me...my mind is is fully firing as I watch them, hear them, drink them in, and then create a work about them.  It must be the beauty of youth that is uncompromised, wherever they are located, or no matter what their circumstances...it's like a diamond...it's still just as beautiful whether it's in the most precious setting, or laying in the dirt.

This painting is called "Uncle" and I loved watching the whole drama play out of the squirming child who wanted to go his merry way and get into some mischief or worse, and his young Uncle who lovingly yet firmly takes him from the situation...it was entertaining to watch the two of them, and yet there is always undercurrents of the elements around them.  The cool Spring evening, the bare trees, the bracing wind, and Uncle's resistance to the cold with his summer clothes in the chilly weather, the warmth of their skin and bodies against the greying, weathered clapboard of the Victorian farmhouse...there was so much that was interesting in this subject matter and of course my models who I love so dearly!

I've posted my upcoming exhibition on my website:  www.fieldsendart.com and I will be adding more information and other galleries as I start formulating my schedule for the upcoming months. 

I hope to see some old friends as I begin a-journeying in the next weeks, and I am looking forward to getting a lot of work done as well...

Crow in the Mist New oil painting

“Crow in the mist” by Hilary J. England, 12” x 16” oil on canvas  I was out walking along in the cold damp fog the day before the big snow, ...