Say Uncle!

"Uncle" by Hilary J England, oil on canvas, 24" x 30"

This is my newest painting in my rural youth series.  They are of endless fascination to me...my mind is is fully firing as I watch them, hear them, drink them in, and then create a work about them.  It must be the beauty of youth that is uncompromised, wherever they are located, or no matter what their circumstances...it's like a diamond...it's still just as beautiful whether it's in the most precious setting, or laying in the dirt.

This painting is called "Uncle" and I loved watching the whole drama play out of the squirming child who wanted to go his merry way and get into some mischief or worse, and his young Uncle who lovingly yet firmly takes him from the situation...it was entertaining to watch the two of them, and yet there is always undercurrents of the elements around them.  The cool Spring evening, the bare trees, the bracing wind, and Uncle's resistance to the cold with his summer clothes in the chilly weather, the warmth of their skin and bodies against the greying, weathered clapboard of the Victorian farmhouse...there was so much that was interesting in this subject matter and of course my models who I love so dearly!

I've posted my upcoming exhibition on my website:  www.fieldsendart.com and I will be adding more information and other galleries as I start formulating my schedule for the upcoming months. 

I hope to see some old friends as I begin a-journeying in the next weeks, and I am looking forward to getting a lot of work done as well...

"The Kiss"

"The Kiss" by Hilary J. England, 2010, 16" x 20" oil on hardwood panel

I finally was able to finish this painting, after MUCH struggles...but, I am very happy with the results (just need to adjust the photo since it is way too high key due to the circumstances I photoed it under).

This painting is number three in the continuing series I'm doing studying youth, and the impact of their circumstances, and the struggles they go through as they come of age.  In this painting, I conveyed the pain, shock and disbelief of being betrayed by a good friend, the dawning realization of what acts had been committed, and loss of innocence that accompanies that first shocking betrayal.  In the end, I watched how they sorted out their differences, and how the friendship was cooled, and I saw how Noelle was altered, and a little less of a girl, and a little more wordly because of it. 

I worked through my own issues to complete this, having lost my sister-in-law less than a week ago, and Christmas in the midst of it, and to add to the mix, having a flu that left me so drained, I could barely get out of my pajamas.  I decided that no matter how I felt, I still had to move forward with it, and with this series.  I have another four to complete, and then I'll see if I feel I have finished with that particular subject matter...maybe not!

My mind is somewhat scrambled, since following Nicole's death this week, we've had some MORE bad news about another family member, and I feel like I'm being dashed against the rocks emotionally.  My brain is resisting the absorption of all of this negativity, and when it gets over-loaded, it has a tendency to short-circuit and shut down. 

I need a few days to regroup, and recover from the sadness of the upcoming funeral before I start deciding on what subject matter I want to tackle with the teens, and how I'm going to compose it, light it, etc.  I usually mull these things and sketch, and also write out, my ideas.  I'm not too formal in doing tight-assed preliminary drawings (that's right--be shocked, Myron!), and kind of do some loose sketches, get the main design elements together, find an emotional center that I connect to, and pretty much go from there...and, usually, some internal cut off switch just lets me know when I have completed it.  Simple stuff?  Nah, not really.

So, that's that for now...